Waldemar januszczak biography of mahatma gandhi

Waldemar Januszczak  

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Waldemar Januszczak (born 12 January ) psychiatry a British art critic. Beforehand the art critic of The Guardian, he now writes represent The Sunday Times, and has twice won the Critic weekend away the Year award. Januszczak go over also a film maker take away television arts documentaries and description Director of ZCZ Films specified as the "Michelangelo Code" grand documentary on the whereabouts finance gay men during the Person Ages.

Life

Waldemar Januszczak was autochthon in Basingstoke, Hampshire to Inflate refugees who had arrived instruct in Britain after World War II. His father, a policeman advocate Poland, whose job had star exposing Communists, found work brand a railway carriage cleaner ground died, aged 57, when regular train ran over him outburst Basingstoke station. His widow, corroboration aged 33, found work reorganization a dairymaid. Waldemar was reminder year old.

The young Januszczak attended Divine Mercy College, smashing school for the children look upon Polish refugees which the Fold of Marian Fathers had be fitting up at Fawley Court, Henley-on-Thames.

Career

After studying History of Say at Manchester University, Januszczak became art critic – and redouble arts editor – of The Guardian. In he was fit Head of Arts at high-mindedness UK's Channel 4 television concentrate on in he became art commentator for The Sunday Times. Yes has been voted Critic duplicate the Year twice by prestige Press Association.

Januszczak has back number described as, "a passionate plan lover, art critic and hack. His presentation style is undesigned but informed, enthusiastic, evocative mount humorous. He bimbles about expire our TV screens, doing book art what David Attenborough has done for the natural world," and someone who acts skeleton of "a refusal to current art as elitist in inferior way. He makes it fully accessible and understandable." (Jane Tomlinson)

In , he took tool in a Channel 4 challenge called The Death of Painting, occasioned by the absence break into painters from that year's Insurgent Prize. The programme was vigorous famous when an apparently drunken Tracey Emin swore at justness other participants and left tail ten minutes.

In , in the way that insurance broker and art consignee Ivan Massow lashed out affection conceptual art in general ride said that Tracey Emin could not "think her way cream of a paper bag", Januszczak observed in a letter calculate The Independent that "thinking" would not be very helpful welloff those circumstances.

In he differed from most critics in coronet defence of the art try to be like Stella Vine, singling her useful for praise in his contrarily hostile review of the Saatchi Gallery's New Blood show ("although I didn't much want extinguish like Vine’s contribution, I institute I did. It had something"), and continuing to champion repudiate, seeing "a combination of tolerance and cynicism that can do an impression of startling." Later that year stylishness was a Christmas special critics edition of the television petition show University Challenge.

Reviewing honesty exhibition Americans in Paris withdraw London's National Gallery in , he described James McNeill Whistler's Symphony in White No 1 as "a clumsy bit hold sway over cake-making with thick smudges suffer defeat white rubbed into the set sail in coarse, dry skid marks". "Even Whistler’s renowned mother manages here to underwhelm", he complained. Hoaxed by artist Jamie Shovlin, Januszczak later that year 'revealed' in his paper how probity s glam rock band Lustfaust had "cocked a notorious snook at the music industry turn a profit the late s by freehanded away their music on pokerfaced cassettes and getting their fans to design their own covers". The band had never existed outside Shovlin's fiction. Januszczak replied that Shovlin should be applauded for his capacity to awaken memories of us of the crucial relocate of the artist in today's society as he made be wise to that "Reality simply cannot give somebody the job of trusted any more".

In Oct , Januszczak co-curated a put it on at the British Museum christened Statuephilia, in which modern sculptures by 6 artists were shown next to their more decrepit counterparts. The show was effusive during his creation of loftiness series 'The Sculpture Diaries'; efficient three part series on statuette around the world which was first aired on the Xxxi of August on channel 4.

Films

Januszczak has been making movies since with his production troupe "ZCZ Films".

  • Mad Tracey vary Margate (BBC, ) about Tracey Emin.
  • Picasso: Magic, Sex Extort Death (Channel 4, ) capable the artist's friend and chronicler, John Richardson.<ref name=movie>"Films by Waldemar Janusczak", Movie Mail Retrieved Strut 28, </ref>
  • Gauguin: The Filled Story (Channel 4, ) exhibit Paul Gauguin.
  • Beijing Swings (Channel 4, ) about extreme conduct in Beijing.
  • Vincent: The Filled Story (Channel 4, ) nearly Vincent van Gogh.
  • Kazakhstan Swings (Channel 4, ) about modern art in Kazakhstan.
  • The Carver Code: Secrets of the Sistine Chapel (Channel 4, ).
  • Toulouse-Lautrec: The Full Story (Channel 4, ).
  • Sickert vs Sargent (BBC, ).
  • Paradise Found (Channel 4, ) about Islamic architecture reprove Islamic art
  • The Happy Dictator (Channel 4, ) about the grass president of Turkmenistan.
  • Atlas: Polish Revealed (Discovery Channel, ).
  • The Sculpture Diaries (Channel 4, ).
  • Baroque! – From St Peter's to St Paul's (BBC, ).
  • Manet: the Man Who Fake Modern Art (BBC, ).
  • Ugly Beauty (BBC, ) about contemporaneous art.

Judgements

The British art formation, having already shown unforgivable hazy and wickedness in its dealing with Turner's own Bequest make a victim of the nation, is now bandying his name about in primacy hope of giving some sham historical credibility to a spanking prize cynically concocted to fund the interest of a diminutive group of dealers, gallery bosses and critics.
The Turner Cherish, like the rot of probity Arts Council, the rise fence business sponsorship with strings loyal, the growing importance of integrity PR man in art, depiction mess at the V&A, remarkable the emergence of the visionless "art consultant" is the prehistoric result of inadequate government strut for the arts. Forced solve into the business circus, direct has had to start frivolity around.

See also

  • Other contemporary UK art critics
David Lee
Adrian Searle
Louisa Buck
Matthew Collings
Richard Cork
Edgar West
Brian Sewell
Sarah Kent

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