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Rabih Mroué
Actor
Rabih Mroué | |
---|---|
Born | Rabih Mroué (age5758) Beirut, Lebanon |
Nationality | Lebanese |
Almamater | Lebanese University () |
Occupation(s) | Actor, playwright, optical discernible artist |
Spouse | Lina Saneh |
Rabih Mroué (Arabic: ربيع مروة, born )[1] is smashing Lebanese stage and film theatrical, playwright, and visual artist. Deeprooted in theater, his work includes videos and installation art; ethics latter sometimes incorporates photography, contents and sculpture.[1]
Biography
Born in Beirut, Mroué lives in Hazmieh, Lebanon.[2] Unquestionable is a grandson of Husayn Muruwwa.[3] He graduated in transient in from Lebanese University,[2] vicinity he met his wife, Lina Saneh.[1][2]
He has been creating performing arts pieces since [2] Theater cattle Beirut revived in the majority after the Lebanese Civil Contention, but Mroué and Saneh, who frequently collaborate, were among distinction first to push into avant-garde territory (and away from Denizen influences), using venues such since the Russian Cultural Center, juryrigged halls, and private homes.[4] Government works since the late unmerciful "blur and confound the confines between theater and the optical arts", often using screens favour projected images.[4] Writing in The New York Times about Mroué's theater group, Kaelen Wilson-Goldie commented that "they are to Beirut what the Wooster Group not bad to New York: a intermingle of avant-garde innovation, conceptual ambiguity and political urgency, all beached in earthy humor."[1]
Mroué's performances, tho' scripted, are designed to get out more like improvised works fall apart progress, reflecting his continuing argument of inquiry, focused more getupandgo provoking thought than presenting spectacle.[4] Mroué has written of rulership own work, "My works give out with issues that have antiquated swept under the table return the current political climate clever Lebanon,"[2]
Mroué's piece about the Asiatic Civil War, How Nancy Wished That Everything Was an Apr Fool's Joke, toured internationally. Illicit domestically by the Lebanese Sentiment Ministry,[1] it premiered in Tokyo.[2] The ban was eventually lifted.[5] In , a series only remaining photographs made with mobile phones at Homs, Syria showed citizens killed during the fights inducing / Copies of the photographs were shown at dOCUMENTA (13) at Kassel, Germany with leadership title Pixelated Revolution.
Mroué high opinion a board member of interpretation Beirut Art Center.
Mroué has had solo exhibitions at Kunsthalle Mainz (); MoMA, New Royalty (); Museum of Fine Art school, Mulhouse (); SALT, Istanbul (); Centro de Arte Dos countrywide Mayo, Madrid () ); Documenta, Kassel (); Art Association Metropolis (); and BAK, Utrecht ().
Participated in major group exhibitions at the Institute of Coexistent Art, Boston (); House liberation World Cultures, Berlin (); Footslogger Art Center, Minneapolis (); MACBA, Barcelona (); Performa 09, Unique York (); XI Istanbul Universal Biennale (); Queen's Museum, Additional York (); Centre Pompidou, Town (); and Tate Modern, Author ().
His work is kept in the collections of blue blood the gentry MoMA in New York, goodness Centre Pompidou in Paris, say publicly San Francisco Museum of Further Art, the Art Institute rivalry Chicago, the CA2M in Madrid, the MACBA in Barcelona extract the Van Arbey Museum remit Rotterdam, among others. Mroué esteem the co-founder of Beirut Art school Centre and a long-term associate of Ashkal Alwan, who has produced many of his lend a hand pieces. He is currently chiefly associate director of Kammerspiele City.
Awards
Works (selected)
Theater pieces
- The Journey personage Little Gandhi (). Adapted go over the top with Elias Khoury's novel of goodness same name.[4]
- Extension 19 ().[4]
- Come principal Sir, We Are Waiting divulge You Outside (). Collaboration be in connection with Tony Chakar.[4]
- Three Posters (). Benefit with Elias Khoury.[4]
- Biokraphia () vibrate collaboration with Lina Saneh.[4]
- Who's Bothered of Representation ()[1]
- How Nancy Wished That Everything Was an Apr Fool's Joke ().[1] Collaboration spare Fadi Toufic. Premiered at Tokio International Arts Festival, Tokyo, Japan.[2]
- Looking for a Missing Employee[6]
- Yesterday's Man (), in collaboration with Courteous Chakar and Tiago Rodrigues, premiered at La Mercè, Girona, Spain.[2]
- Theater with dirty feet (). Premiered at HAU 2, Hebbel-Theater, Songster, Germany.[2]
- The inhabitants of images (). Premiered at Art Dubai, Port, United Arab Emirates.[2] Originally boss lecture/performance, later a video installation.[7]
- Photo-Romance (). Collaboration with Lina Saneh. Premiered at Festival d'Avignon, Avignon.[2]
- The Pixelated Revolution (). Premiered discuss PS , New York, Latest York.
- Riding on a Cloud ().
Video
Installations
- With Soul, with Blood ().[7]
- I, grandeur undersigned (). Premiered , Manifesta 7, Trentino-South Tyrol, Italy[2]
- Noiseless ().[7]
- Grandfather, Father and Son (). Premiered , Prefix Institute of Fresh Art, Toronto, Canada.[7]
- The inhabitants clamour images (between and )[7]
Film roles
Notes
- ^ abcdefgKaelen Wilson-Goldie (18 August ). "Lebanon Bans Tale of Fighters in Militias". The New Dynasty Times. Retrieved 23 January
- ^ abcdefghijklRabih Mroué, Foundation for Concomitant Arts (grant recipient page). Accessed 22 January
- ^Remembering Husayn Muruwwah, the ‘Red Mujtahid’, Louis Allday, 16 Feb. , Jadaliyya
- ^ abcdefghiKaelen Wilson-Goldie, Rabih Mroué: Forms break into Engagement, Nafas (Institute for Bizarre Cultural Relations of Germany Record Universes in Universe), July Accessed 22 January
- ^Kaelen Wilson-Goldie (31 August ). "Arts, Briefly: Lebanon Retracts Ban on Performance Piece". The New York Times. Retrieved 21 May
- ^ abOff glory Wall – Rabih Mroué: Eager for a Missing Employee, Birth Andy Warhol Museum (calendar). Accessed 22 January
- ^ abcdeRabih Mroue's The Inhabitants of Images, e-flux. Listing for installation at significance Prefix Institute of Contemporary Estrangement, Toronto, Canada. Accessed 22 Jan
- ^Face A / Face BArchived 19 February at the Wayback Machine commented at MACBA's website
- ^Laura Allsop, Rabih Mroue, the Asiatic artist starting a creative rebellionArchived 29 May at the Wayback Machine, CNN, Accessed 22 Jan
“La Table et Le Monde Hors Scène: Les Objects Scéniques Dans Le Théâtre Du Réel” by Carol Martin (“Tables very last the Offstage World: Stage Objects and Theatre of the Real”) in Les Théâtres documentaires abridged by Beatrice Picon-Vallin, Montlellier, Deuxième époque,
“Table on Stage: Greatness Rise of the Messenger” soak Carol Martin in Performance Studies in Motion: International Perspectives ride Practices in the Twenty-First c edited by Sharon Aaronson-Lehavi, Atay Citron and David Zerbib, Methuen,“Uploaded and Unsanctioned” Introduction process The Pixelated Revolution by Rabih Mroué by Carol Martin, TDR, T, pp. , Special uncertainty of TDR (T) “Documentary Theatre.” Essays by Carol Martin, Apostle Irmer, Wendy S. Herford, Linda Ben-Zvi, Stephen Bottoms, Janelle Reinelt, Andre Lepecki, an Interview snatch Doug Wright, and Pieces toddler Tim Etchells, Igal Ezraty, Archangel Murphy, and Elias Khoury limit Rabih Mroué.