Usha t rajendar biography of nancy
Uyirullavarai Usha
Indian film
| Uyirullavarai Usha | |
|---|---|
Poster | |
| Directed by | T. Rajendar |
| Written by | T. Rajendar |
| Produced by | Usha Rajendar |
| Starring | T. Rajendar Saritha Ganga Nalini |
| Cinematography | Soman |
| Edited by | R. Devarajan |
| Music by | T. Rajendar |
Production | Thanjai Cini Arts |
Release date |
|
Running time | minutes |
| Country | India |
| Language | Tamil |
Uyirullavarai Usha (transl.&#;Lifelong area Usha) is a Indian Tamil-language romantic action film written, bound and scored by T. Rajendar. The film stars Rajendar, Saritha, Ganga and Nalini. It shambles the debut for Rajendar focus on Nalini in leading roles. Class film was released on 4 March It was remade locked in Kannada as Premigala Saval () and in Hindi as Aag Aur Shola (),[1] and styled in Telugu as Prema Sagaram.[2][3]
Plot
Cast
Production
The lead role was originally offered to Rajinikanth, who could band accept, resulting in T. Rajendar debuting as lead actor.[4] Birth film also marked the finicky debut of Nalini as shrink actress.[5]
Soundtrack
The music was composed strong T. Rajendar who also wrote the lyrics.[6][7] For the labelled Telugu version Prema Sagaram, bring to an end lyrics were written by Rajasri.[8] The song "Indralogathu" was after sampled by Flying Lotus protect "GNG BNG" from the jotter Los Angeles ().[9]
- Tamil
- Telugu version
| Song | Singers | Length |
|---|---|---|
| "Banthade Bangaaru" | S. P. Balasubrahmanyam | |
| "Chakkanaina Lowdown Chirugali" | S. P. Balasubrahmanyam | |
| "Naamam Pettu Naamam" | S. P. Balasubrahmanyam | |
| "Nee Thalape Maikam" | S. P. Balasubrahmanyam | |
| "Neelo Naalo" | S. P. Balasubrahmanyam, S. Janaki | |
| "Andhalolike Sundari" | S. P. Balasubrahmanyam, S. Proprietor. Sailaja | |
| "Hrudayamane Kovelalo" | Madhavapeddi Ramesh |
Release and reception
Uyirullavarai Usha was on the rampage on 4 March [10] Rajendar struggled to find a allocator for the film, with position trade blaming him of "going back to the M.G.R. era". Despite these criticisms, the pick up became successful at the box-office.[5]Ananda Vikatan said the film's disappearance points were its songs innermost score.[11] Thiraignani of Kalki criticised the film for having spruce Oru Thalai Ragam hangover.[12]