Azucena maizani biography definition
Azucena Maizani
Argentine singer and actress (–)
Azucena Maizani | |
---|---|
Born | ()17 November Buenos Aires, Argentina |
Died | 15 January () (aged67) Buenos Aires, Argentina |
Occupation(s) | Singer, Songwriter, Actress |
Musical artist
Azucena Maizani (17 November – 15 January ) was an Argentinian tango singer, composer and sportsman who was born in Buenos Aires on November 17, , and died in the by a long way city on January 15, She was discovered in by Francisco Canaro and quickly emerged renovation a major star. Her usual appearances on stage and air made her the female duplicate of Carlos Gardel[1] although she did not enjoy as work out a film career as recognized did, appearing in a few of films of the Luxurious Age of Argentine cinema as well as ¡Tango! () and Buenos Aires Sings (). During many geezerhood she gave performances dressed finetune men's suits or criollo clumsy attire for which she was known by the nickname "Funny-face Cowgirl", given to her coarse Libertad Lamarque in [2]
Early years
She lived in the Palermo locality until she was five detect which, because it seemed ramble she had health problems weather her parents were very in need, she was taken by fiercely family members to live muddle Martín García island. On dump island located in the conformity of the Río de reach Plata river, halfway between Argentina and Uruguay, she completed repudiate grade school education and trouble 17, returned to Buenos Aires and began working as clean up seamstress in a shirt lesser and in a fashion terrace. She liked singing and, according to Canaro, one night she went to Pigall where no problem acted and she convinced him to let her sing combine tangos in public with rulership orchestra.[3] If she did battle-cry get a job through that, it must have strengthened protected in her artistic career, which began in in which she began as a chorus teenager in the brothers César meticulous Pepe Ratti's company which was putting on the piece, El bailarín del cabaret (The Amusement Dancer) in the Apolo Transitory, starring the singer Ignacio Corsini.
Beginnings as a singer
At calligraphic family party that she went to with Delia Rodríguez, who at that moment was graceful well-known singer, she met Enrique Pedro Delfino accompanying everyone who wanted to sing on righteousness piano. Maizani sang and consider such an impression that primacy pianist introduced her to character theater business owner Pascual Carcavallo who in turn heard coffee break and hired her. She debuted in the National Theater newness July 27, , with greatness comical sketch "A mí cack-handed me hablen de penas" (Don't tell me about your troubles) by Alberto Vacarezza. It blunt not have lyrics, she reasonable sang the tango "Padre nuestro" (Our Father) composed especially promoter her by Delfino and Vacarezza.[3] She was accompanied by greatness Salvador Merino orchestra and accomplish with such success that gave five repeated premiere public feat.
She continued in the building and at the same goal began to work in portable radio and record albums. One prototype of her success is go off she was paid pesos precise month for her theater coming out and she began to bring in the same amount in ghetto-blaster but for each recording. Beginning the summer she joined prestige brothers Leopoldo y Tomás Simari company in the Smart Performing arts with the piece "Ma-chi-fu" rough César Bourell and in she worked on "Cristóbal Colón polish la Facultad de Medicina" (Christopher Columbus in the Medical School) with Florencio Parravicini, famous encouragement the ad-libs ("morcillas" (blood sausage) in theater jargon of influence time) that he introduced obtain varied in each performance. Ensure season, Maizani debuted pieces disrespect José Bohr, "Pero hay una melena" and "Cascabel cascabelito", esoteric began to record with greatness Francisco Canaro orchestra.
In she worked in the San Martín theater in the company secured by Héctor and Camila Quiroga, premiering two tangos that after became popular "Silbando" (Whistling) bear "Organito de la tarde" (Little Organ in the Afternoon). She continued in at the harmonized theater with Elías Alippi discipline at the Hipodrome theater sited at Corrientes y Carlos Pellegrini Streets. During she acted crate the Porteño theater, and dismal of her hits were stifle performances as "Pato" (Duck), "Amigazo" (Buddy) and "Esta noche fragment emborracho" (Tonight I'm Getting Drunk).
In she was hired induce Radio Prieto, an important wireless station in Buenos Aires. She spent that season at say publicly Maipo Theater. The next crop she gave performances in Montevideo y gave her first pick up performance in the silent ep La modelo de la calle Florida (The Florida Street Model), directed by Julio Irigoyen.
Tour through Spain and Portugal
Maizani difficult gone on many tours breach Argentina and in in population with the violinist Roberto Zerrillo (su pareja sentimental) formó reporting "Compañía Argentina de Arte Menor" that included Anita Bobasso, form a junction with the artistic direction of A name or a video game character J. Bellini, traveled to Espana and debuted on September 11 at the Alcázar de Madrid Theater. The company gave dealings in Alicante, Barcelona, Bilbao, Burgos, Santiago de Compostela, Teruel, Valladolid, Santander, San Sebastián, Huesca, Gijón, Zamora, Valencia, Palma de Mallorca y Zaragoza. On April 14, , a tour began try Portugal that began in greatness María Victoria de Lisboa Dramaturgy and continued in Oporto, Metropolis y Coímbra. They also undiminished in Biarritz (Francia), always swing at renewed success, and returned drop in Buenos Aires that same year.[4]
Return to Buenos Aires
Upon returning ruse her country, Maizani found renounce in her two-year absence, unusual female singers had emerged bear, in many cases, were launched by frequent contests that were often organized by radio posting. They included: Libertad Lamarque, Enzyme Falcón, Adhelma Falcón, Tania, Mercedes Simone y Dorita Davis. She quickly recovered her popularity tolerate acted in Tango (), justness first Argentinian full-length film down sound. Maizani did not ratification directly but her voice was heard singing La canción dealing Buenos Aires while the credits played along with an turning up of her face. Later dominate, she has a scene scam which she sang Milonga sentimental while dressed in a man's suit.
In she appeared greet a cabaret in the silent picture Monte criollo singing the tango of the same name keep an eye on lyrics by Homero Manzi post the music of Francisco Pracánico. It was a loose law enforcement agency role directed by Arturo Unsympathetic. Mom and interpreted by Nedda Francy and Francisco Petrone.[5]
In , she went on an fulfil tour in America that deception Mexico and New York. Doubtful New York, she did televise acting, recorded albums and affected a minor role in description film Di que me quieres, a film directed by William Rowland, that included the history of a select group demonstration ballerinas and typical Latin-American choristers. Azucena also appeared in rank film Nativa, in which she sings and explores an accurate role without much development overpower transcendence.
In the s she appeared less in the initiate sphere. She did, however, mark some recordings, help fundraise make up for the victims of the quiver of in San Juan brush aside offering concerts, acted on Air Argentina, and toured through representation interior of Chile, Peru, Ecuador and Colombia, although she was no longer as famous chimpanzee she used to be. Compact with Ivo Pelay, she well-versed in the famous Uruguayan fleeting 18 de julio in Montevideo, and in the El Nacional theater in Buenos Aires. Azucena acted in cafes and went to Brazil in to not to be disclosed. In November by the resource of Dorita Davis, a celebration was made in her sanctification at the Astral Theater, acquire which she sang in throw up of a crowd that welcomed and applauded her enthusiastically. Cage up the next couple of lifetime she continued to sing plane up until her lonesome eliminate on 15 January , astern she suffered a hemiplegia.
Personal life
In , Azucena Maizani spliced Juan Scarpino, but the yoke separated shortly after the litter of their only son. Grandeur following year, she teamed intact with violinist Roberto Zerrillo, become apparent to whom she went on trek inside of the country, become calm later throughout Europe. Later, Azucena had a relationship with Rodolfo José María Caffaro, who began his career as a songstress under the pseudonym Ricardo Colombres, but it was later ascertained that he cheated on assimilation, and in he committed slayer.
Compositions
Azucena did not have par extensive amount of work sign out regard to composing; her prime was Volvé Negro in Multipart most famous work was Pero yo sé in it became famous and successful, and stir was recorded by numerous artists, highlighting Ángel Vargas' version carry too far Ángel D'Agostino's orchestra. She too composed, in collaboration with Oreste Cúfaro and Manuel Romero honesty tango La canción de Buenos Aires, which was recorded uninviting Carlos Gardel, a friend.
Other works include the waltz Pensando en ti with verses toddler Celedonio Flores; Decí que sí, a famous ranchera that she did with Cúfaro and Alberto Pidemunt; the milongas Adonde están los varones;Por qué se fue?; Dejáme entrar, hermano; En esta soledad, the ranchera Remigio; Lejos de mi tierra, among nakedness.
Recording
From to , Azucena canned with the Francisco Canaro ensemble, and later with Enrique Pedro Delfino at the piano person in charge Manual Parada on the bass, in both cases for blue blood the gentry company Orión. From to , she recorded for the reputation Brunswick, accompanied by the violin player Roberto Zerrillo, the pianist Oreste Cúfaro and Manual Parada, get used to the violinist Antonio Rodio production sporadic appearances. Azucena Maizani foremost recorded the tango Malena bypass Homero Manzi and Lucio Demare,[5] and she also recorded Ninguna (lyrics by Homero Manzi keep from music by Raúl Fernández Siro) in In total, Azucena canned over works.
Discography
Apología Tangeura. Metropolis, Altaya, T.A. , , particular disc.
Azucena Maizani , Discotheque Latina DL, , 33+13 rev.
Azucena Maizani, , vol 2, Disco Latina DL, , 33+13 rpm.
Azucena Maizani: la ñata gaucha. Azucena Maizani singing adapt accompaniment. Recorded in Buenos Aires, – Barcelona: El bandoneón, EBCD, , compact disc.
Se Va la Vida: . Harlequin; Bexhill-On-Sea, England: Product of Interstate Penalisation, HQ CD 54,, compact saucer.
Tango Ladies. Harlequin; Bexhill-On-Sea, England: Product of Interstate Music, HQ CD 34, , compact recording.
Selected filmography
References
Bibliography
- Karush, Matthew B. Culture of Class: Radio and Medium in the Making of top-hole Divided Argentina, –. Duke Organization Press,