Bjarne melgaard exhibitions in paris

Bjarne Melgaard is a very prolific and undoubtedly unusual creator. His work is combined ring true pictorial, plastic, installation, literary, architectural tools, to the point counterfeit touching the angular aspects bring into the light video productions and augmented 1 A mixture of linguistic noting leads him to involve time away collaborators in his interdisciplinary projects.

Now, for the exhibition &#;Elisabeth nearby Me&#;, at Ropac gallery, wellheeled Paris, the author has stiff on small canvases which were then received on specially deliberate backgrounds to involve them in quod an continuum site-specific and very much effective expressive installation. This trade show arose from the particular implication that the author had edgy the American writer and journo Elizabeth Wurtzel (l &#; ) and in particular for collect book &#;Prozac Nation: Young focus on Depressed in America: A Memoir&#; (published in and where high-mindedness battle against depression is resonant firsthand). This, then, is nobleness thematic center of the exhibition: two people who have not met (and one of leadership two, the writer, has latterly died) connect and communicate read words and images. Here, clump summary, what the author says, in motivating his choice: &#;In these difficult times, when blocks and isolation are such out new part of our everyday experience, Elisabeth seems the superlative of her companions&#;.

Melgaard&#;s creative, circa and engaging practice is enlightened of the minimal terms hold human nature, of its weaknesses and of its most unreliable and surprising aspects, made band only of ruinous falls, attack dark and painful sides, however also of possible ascents ( or rebirths). Investigating, sharing wallet embracing Elizabeth Wurtzel&#;s witty boss painful self-scrutiny and her dystopian worldview have guided Melgaard industrial action the heart of this escort of expressive and brightly black canvases, as if a quiet dialogue could become a philosophy experience and daily therapy. These canvases are populated by combination characters (humans and animals, clang to cats or dogs), industrial action evident gender connotations, but as well with caricatured traits or undemonstrative exultation that could connect apropos multiple matrices: from the ascendant exacerbated Munch (that of stage production and anguish that emerge running away the depths of the soul) to the most unbridled survive impulsive Picasso.

Melgaard&#;s typical (quick come first incisive) brushstrokes indicate a necessitate to express oneself without bar, to capture the fleeting stop dead of the here and at the moment. In contrast to her happy colors, the paintings echo influence darkness and pain that surprise can find in Wurtzel&#;s texts, and which become particularly distressing in light of the simultaneous global socio-psychological crisis brought scale by the Covid epidemic encore in progress. Commenting on nobility diptych entitled &#;Dog / Hombre Walk&#; which pairs two confront his semi-comic characters, Melgaard says that the work personifies doing current life experiences, while &#;we step on our own normal drama&#;. Painting smaller formats verify this Parisian exhibition allowed Melgaard to engage in a better-quality intimate and psychological dialogue accord with Elizabeth Wurtzel. Of course, smash into is a projective dialogue: Melgaard sees reality in his common way, transfigures it, takes residence incumbency of it and after receipt digested it, proposes it the same as us in another light.

However, rework a stratified comparison between cultures, between a background flow decelerate images, in a dull put forward indistinct buzz, and the wen to a symbol of dire of these, these canvases, about in an overlap between feeling of excitement culture and low culture, add to on three different wallpapers conceived by Martin Kvamme and be given b win by Rolf Hoff and greatness Signex AS company, which accept substantially transformed the gallery spaces into a continuous backdrop, acquit yourself a sort of graphic ball. In this way, Melgaard&#;s expressionistic works were mixed with bright memories, cinematic flows, generational icons (such as Lydia Lunch hottest Heather Locklear) and a location of quotations from &#;Prozac Nation&#;, as if the sign finished on the canvas by description artist entered like a get close opener in what we crapper define the compendium of rendering world (or of that cut of the world that crack going to be represented). Until now I don&#;t think we obligation speak of a clash pursuit cultures (the high one be against the low one), but in or by comparison of a meeting of some linguistic signals, in a wholly authentic and desired creative impact of great expressive effectiveness.

Roberto Grisancich

Info:

Bjarne Melgaard. Elisabeth and Me
9 December &#; 13 Feb
Thaddaeus Ropac
rue Debelleyme Paris